[Áß°í][¾çÀå]1998 p452
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Acknowledgments ix Introduction 1 (22) I Titles and the History of Art: Beginnings 1 (12) II Theories of Titling and Naming 13 (10) 1 Reckoning with the Title and Its Sites 23 (26) I Poetic Intensity and Social Extension: 23 (6) Expanded Fields for the Title II Zero Names: "Absences and 29 (12) Over-Nourishing Signs" III Titular Transformations: "Beyond 41 (8) Recognition" 2 Monet and the Development of a Nominative 49 (32) Effectualism I "Explanations," Poems, and "Real 49 (11) Allegory" II Claude Monet: "A Succession of 60 (21) Astonishing Effects" 3 Symbolism I: Redon, Gauguin, Signac 81 (40) I Introduction: Titles, Institutions, and 81 (3) Analogues II Odilon Redon: "Vagueness, 84 (11) Indeterminacy, Equivocation" III Paul Gauguin: "Not a Title, but a 95 (8) Signature" IV Paul Signac and Alphonse Allais: 103(18) Exhibitions, Numbers, and "Incoherents" 4 Symbolism II: James McNeill Whistler: The 121(21) Elaboration and Contraction of the Title 5 Nominalist Order and Disorder: Form, 142(34) Violence, and Revisionism I Paul Cezanne: "Do Not Remain a Creature 143(9) without a Name" II Cubic Language and the Philosophical 152(12) Brothel III Suprematism, Unovis, and "5 x 5 = 25" 164(12) 6 Composition I: Naming the Non-Iconic in 176(33) the Work of Piet Mondrian and Wassily Kandinsky I Piet Mondrian: "It Is Above All 177(14) Composition That Must Suppress the Individual" II Life and Death Sentences: Compositional 191(7) Theory in Matisse, Malevich, and the United States III Wassily Kandinsky: "Reason, the 198(11) Conscious, the Deliberate, and the Purposeful" 7 Dada and Surrealism: Alchemies of the Word 209(56) I Max Ernst: Titles and the "No Longer" of 210(9) Painting II Marcel Duchamp: "Prime Words" and 219(14) Inscriptions III Francis Picabia: Names, Bodies, 233(6) Diagrams, and Counter-Identities IV Notes on Surrealist Titling: Magritte, 239(26) Miro, Tanguy, Matta 8 Composition II: Sounds, Silences, and 265(58) "Cognitive Naming" I Towards a Genealogy of the 265(4) Counter-Composition II Abstract Expressionism: "Something[s] 269(8) Extra" III Neo-Dada, Assemblage, Happenings: 277(7) Making "In Spite of Composition" IV Tropic Writing: Rethinking the Titular 284(31) Metaphors of Late Modernism V Conclusion: Titles after Composition 315(8) 9 "Labelless Labels": Notes on the 323(26) Postmodern Title I Switching from the 1960s: Smithson, 326(8) Morris, and Conceptual Art II Naming through Institutions and 334(5) Expressions III "On the Other Side of the Proper 339(10) Name": Untitling, Anonymity, Gender, and Power Epilogue "A Museum of Language in the Vicinity 349(19) of Art" Notes 368(52) Index 420
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